
To discuss these zany developments would be to undermine the film’s entire central premise and yet, at the same time, there does seem to be so much more to this film than the headline-worthy scandals it exposes. Director Dan Klores actually seems to push beyond the sensationalist gleam of the story to expose some humanity beneath it. His interviews weave through themes of love, loneliness, desperation and infatuation with a level of insightfulness that disables you from dismissively slotting Crazy Love between Woman’s Weekly and Life Magazine. The interviews with Burt and Linda (now in their 60s and 70s respectively) are particularly well-handled, with both individuals revealing a practical attitude to love that many will be able to relate to, but few will admit to. While there’s little to this film to suggest that it should be viewed on silver screen rather than on television, it is a surprisingly intriguing offering, which holds a particular relevance in a time when people are so interested in sensationalist tales that tabloid headlines often make it to our evening news (albeit not on all stations).
Rating: 6.9
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